Home / Articles / From the Streets: We Talk to British Urban Artist D*Face at Hong Kong’s First Street Art Festival

From the Streets: We Talk to British Urban Artist D*Face at Hong Kong’s First Street Art Festival

Thanks to HKWalls, Hong Kong’s first annual street art festival, the little corner of Sheung Wan around the Localiiz office has become altogether cooler and more colourful. As we toured some of the awesome work created, we grabbed a quick word with visiting British painter D*Face about Hong Kong’s infantile urban art scene and his first solo exhibition in Asia.

D*Face on Tank Lane, Sheung Wan

Although there have been some lame graffiti attempts around Sheung Wan’s Blake Garden for some time now (is everyone familiar with the delightful ‘Mom’ and ‘Pop’ motifs?), we were thrilled to hear that some of the neglected walls close to the Localiiz office were to receive a serving of quality street art, courtesy of HKWalls. Organised by HKstreetart.com and inspired by festivals such as Wynwood Walls in Miami and Pow Wow in Hawaii, the inaugural event kick-started a mission to enhance Hong Kong’s artsy antique streets with vibrant wall murals created by some of the best-known local and international urban artists.

Photo Credit: HKWalls

Working hard in the humidity between May 12th and 18th were (among others) Cathlove, XEME and Parent’s Parents from Hong Kong, Above from USA, and Mark Goss, Used Pencil and D*Face from the UK. We bumped into D*Face (aka Dean Stockton) – whose unmistakable “aPOPcalyptic” style has seen him rise from a teenage tagger to an internationally acclaimed contemporary urban artist – as he worked on one of his famous winged ‘D-Dog’ characters on the steps of Tank Lane.

D*Face a.k.a Dean Stockton Urban Contemporary Artist from Moon Shadow on Vimeo.

Having travelled with his work all over the world, Dean observes that Hong Kong is markedly behind the times when it comes to appreciation and proliferation of street art. “I see a lot of stickers and tags but not much else,” he said. “At the moment Hong Kong doesn’t seem particularly receptive to street art, so it must be hard for the artists to get out there.”

The Londoner, who is on first-name terms with the infamous Banksy, also spoke of his disgrace at the Hong Kong government’s decision to remove almost all retro-style ceramic works of renowned French street artist Invader after he sprinkled his magic across our city earlier this year. “It just typifies the mind-set here because the government completely misread how the public would feel about it.”

 

A Piece from D*Face’s HONESTLY/DISHONEST at Above Second

Although last year Dean spent a lot of time on the streets, painting murals in New York, Puerto Rico, Tokyo, Las Vegas and Malaga (his biggest to date at 120ft-high), he also regularly exhibits in international galleries, with Hong Kong urban-art advocates Above Second (9 First St, Ground Floor, Sai Ying Pun) being the latest to receive him. His first solo show in Asia, Dean’s new body of 18 original works, assembled from images he recalled under hypnosis, will be on display until July 6th.

But despite selling his pieces for thousands in the world’s most prestigious auction houses, having collaborated with Christina Aguilera on her Bionic album cover, and remaining the only urban artist to have his work featured on the front cover of fine art publication Art Review, Dean insists his heart will always be on the street.

 

Used Pencil. Photo Credit: HKWalls

“When I first tried it

it felt wrong because it seemed like the art was losing its context. Now I always keep the thread of the character [D-Dog] in my work, even if it’s just the wings, so people can make connection to the origins.”

Having already seen a positive effect on our neighbourhood, we at Localiiz are with D*Face and the organisers of HKWalls in hoping the festival will inspire more love for, and a greater spread of, street art in Hong Kong.

 

Caratoes. Photo Credit: HKWalls

“There are loads of walls and places to paint, so if the attitude could be changed it could be an incredible city for urban art,” said Dean as he mopped his brow in the heat. “The great thing about street art is that it’s got no demographic. It’s loved by kids, old people, black, white, it doesn’t matter – it’s universal!”

See D*Face’s HONESTLY/DISHONEST exhibition at Above Second until July 6th 2014.

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